‘As the temperature reads 113 degrees Fahrenheit (45 Celsius), the hottest on record in the spot where I stand, my shoes are melting into the asphalt and my vision is blurred. I wonder how we got here from those rainy springs and where we will go. The heat’s visible haze makes me doubt the possibility of future Augusts spent outdoors. It is in this haze that chaos comes with the summer haze takes form.’
My inspiration for this project is from both beauty and fear - the beauty of the land, the water, the flowers, the beauty of paint and code, the beauty of humanity – the fear of panic and mob mentalities, the fear of incongruity and environmental collapse, the fear of humankind. It is from the obsessiveness, visual overload, content overload, and our aching yet hopeful eyes as we stare towards the horizon.
chaos comes with the summer haze is specifically aligned with my art practice, which for twenty years has attempted to address technology, climate change, human irrationality and human rights, while being unencumbered by limitations of medium. Whether it is dragging paintings in the ocean, writing a new constitution, or encoding this Project, all have the same goal - creating impressions that are pleasing while acting as guideposts or warnings. Here, I’ve ratcheted up the intensity of everything. The breadth of coloration, brushstrokes and variety of possible outputs push dramatically in a way only possible through the generative process. Many times, I feel the code taking over the composition with the intent of heightening the chaos itself, perhaps adding an exclamation point to the warning therein.
Visually, it is symptomatic of both human and earthly chaos. The earthly ‘gestalts’ are the seas rising and the clouds gathering. The ‘meltdowns’ are the human brushstrokes that feel panicked, despite being controlled. They are haphazard, geometric and duplicative. They obscure reality. The handpicked colors touch the rainbow of possibilities, but are affected by that summer haze. The ‘shadow frequency’ and ‘meltdown sectionality’ demonstrate content overload, duplication and machine learning, all creating further feelings of distress. There are layers and layers of possibilities – of coffee stains, of visual heat, of faces, of ideas, of dimensional portals, of the future...’
The Rising Edition
The first 36 mints shall receive this special edition collection, which includes:
A unique print of the minter’s piece, printed on archival Hahnemühle German etching paper, mounted on 16” x 12” (40.6 cm x 30.5 cm) maple board, signed and titled on verso.
A sculpture featuring a porcelain blanketed rock - discovered, shaped and fired by the Artist.
A limited edition hardcover, linen wrapped visual compendium chronicling the conceptual theory and production of the work, signed and numbered.
